The never-ending tension fills the reader with a physical dread while reading “Beginners,” an effect that is almost entirely absent in “WWTA.” Not only are the explicit declarations of anger or sadness taken out, but the abundant paragraph breaks and section breaks serve to give the illusion that time has passed in between awkward moments, dissipating the tension and robbing them of their cringeworthy power.
He isolated character actions into their own paragraphs, affording them much more metaphorical weight and allowing much of the emotion to go unsaid.Perhaps most notably, he almost entirely jettisons the last three pages.He trades in Carver’s unabashedly theatrical catharsis for a quiet, ambiguous fizzle.It’s easy to see why Lish is a legendary editor; however, I can’t help but wonder if there was a middle ground, a version of the story that preserved some of the unusual aspects of “Beginners” while tempering some of Carver’s more melodramatic tendencies.Then, “What We Talk About When We Talk About Love” could have been the white whale: a more effective and literary version of a remarkably different piece of literature.Janey Tracey Janey Tracey's real name is Meredith, but she also answers to JT, Janes, Feminazi, and the opening lick to "Janie's Got a Gun." She loves Milton, the Oxford comma, nineteenth-century novels, and nineties pop music.She is a firm believer that the word "summer" should never be used as a verb, that epic poetry should stage a comeback, and that the perfect date is April 25th, because you only need a light jacket.As the story goes, most of what American readers love about Raymond Carver is not the work of Carver at all.All of his defining traits as an author—the minimalism, the colloquial roughness, the loud silences—none of these elements are particularly apparent before his work was edited (or, more accurately, revised) by the famously overbearing editor Gordon Lish.While melodrama is generally frowned upon in literary circles, and I would argue with good reason, “Beginners” is much more self-aware and deliberate than many critics give it credit for.On the second page, Terri and Herb have already traded several barbs in what was supposed to be a friendly conversation about the nature of love.
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