Creative Writing Questions

Creative Writing Questions-47
, Thessaly La Force asks, “What should an artist save?” while examining the eclectic archives left behind by artists, including boxes of fabric in Louise Bourgeois’s basement, a rejection letter addressed to Andy Warhol, and David Wojnarowicz’s “magic box.” Jot down a list of objects, physical spaces, and writings that you would consider integral to understanding the intersections of your life and work.

, Thessaly La Force asks, “What should an artist save?” while examining the eclectic archives left behind by artists, including boxes of fabric in Louise Bourgeois’s basement, a rejection letter addressed to Andy Warhol, and David Wojnarowicz’s “magic box.” Jot down a list of objects, physical spaces, and writings that you would consider integral to understanding the intersections of your life and work.This week, write a poem you can imagine reciting to a new romantic prospect or lover, one that doesn’t necessarily dwell on traditional images or vocabulary of seduction but strives for a subtle sense of hope and urgency.

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Write a lyric essay composed of reflections on each of these items and how they are connected to your personal creative intentions or beliefs.

Earlier this month, Seamus Blackley, a physicist and the cocreator of the Xbox, baked a loaf of sourdough bread using yeast extracted from 4,500-year-old Egyptian ceramic vessels with the help of an Egyptologist and microbiologist at Harvard.

Even with such a limited population, isolated locale, and frigid temperatures, inhabitants establish a convivial sense of home and community with shared meals, silly rules, pig roasts, and game nights.

Write a poem about a group of people that has provided you with a warm sense of community.

What small, perhaps mundane, moments do you recall that have helped create a sense of belonging, support, and bonding?

What would motivate you to walk thousands of miles?An undercover spy is about to impersonate you in all aspects of your life. “I really ought to eat more_____.” Find a photo and write what’s not in the picture. What piece of advice do you most often give and least often follow? Write a eulogy for a sandwich, to be delivered while eating it. As a talking Chihuahua, what would you tell your humans about the new crying baby who now lives with you? If you were given one extra hour today and you weren’t allowed to use it for anything you’d normally do (e.g.; eat, sleep, etc.), what would you do with that hour? Write the ad for an expensive new drug that improves bad posture. Think about your day so far (even if it’s still morning). Write the first communication sent back to Earth after humans land on Mars. It’s 1849, and you’re headed West along the Oregon Trail. Which is the oldest tree in your neighborhood, and what has it seen? For many of us, the elevation in temperature and invitation to spend more time outdoors during the summer can usher in a flurry of changes—both atmospheric and emotional.As Nina Mac Laughlin writes in her Paris Review summer solstice series: “In summer we tend skyward. We can stand outside when it’s dark and lift our faces to the sky and get spun back to childhood or swung into the swishing infinity above.” Write a poem that embodies this transformation.Keep this question in mind as you try writing a short story that revolves around a main character whose version of the truth—about another character, herself, or an event that has happened—differs drastically from a more objective reality.How does the storytelling perspective demonstrate this discrepancy to the reader?“What is the difference between the truth and what the characters are telling themselves?If I can figure that out, then things really start to crack open,” says Téa Obreht in a profile by Amy Gall in the September/October issue of about a question she poses to herself during the writing process.

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